Bouthonvilliers castle is located in Dunois, or more precisely in Perche Goët, a charming country which separates Beauce from Perche, just 1h from Paris and close to the chateaus of the Loire Valley. A magnificent forest massif, of more than 100 hectares, surrounds this residence formerly called Boscovilore (House of the Woods). Bouthonvilliers castle is surrounded by a beautiful 20-hectare English-style park, classified as a Historic Monument.
The property also benefits from outbuildings, a “small” French-style park, a 1-hectare vegetable garden, a swimming pool, a lake and a chapel installed in the 19th century in a 16th century dovecote.
The main body of the building is a 7m wide manor house with double exposures. The East/West orientation gives it great brightness. The elegance of its symmetrical architecture, dating from the 18th century, has earned Bouthonvilliers its classification as a Historic Monument. The castle is made up of two pavilions from the 16th century (Henri IV) and a central part from the 18th century with attic roofs. Inside, the period parquet floors and moldings contribute to the extreme refinement of this exceptional residence. This timeless universe will allow you to live a unique experience.
The outbuildings, built in the 19th century for the castle staff and horses, still house today the stables as well as two gîtes completing the castle’s accommodation offering
Richard received formal training in Fine Art and Illustration at Kendall College of Art and Design in Grand Rapids, Michigan. While at Kendall he was invited to study at the Royal College of Art in London, England. There he gained experience in plein air painting and found direction in his work as an oil painter. He graduated from Kendall College with a Bachelor of Fine Arts degree in 1995 and moved back to his home state of North Carolina to pursue his dream of becoming a professional artist.
The natural beauty of Western North Carolina has proven to offer infinite inspiration for Richard's impressionistic landscapes. From rolling mountains to abundant waterfalls, the majestic Biltmore Estate to a simple farm scene, this region evokes the artist’s muse. Richard finds inspiration not only at home but in his many travels. He has painted all over the USA and has taken several trips overseas to France and Itlay. Whether at home or abroad, Richard surrounds himself in the elements of the scene while painting, in true "en plein air" fashion. In the studio, his sense of vision and mood guide him to produce still lifes ranging from the classic to the imaginative.
Richard's purpose in painting is to provoke the viewer to interact with his pieces. His paintings are his voice, and stroke by stroke, he composes a whole that relates his vision. Richard works in oil on linen, a medium compatible with the passion he puts into his creation. He strives to achieve a mood in every painting through the use of such visual stimuli as color, edges, value and drawing. He has derived his style from the lifelong study of past masters, the influence of contemporary painters he admires, and elements that have evolved from deep within himself. He allows the setting to speak to him, creating only as many brushstrokes as are needed for the viewer's eyes to understand and connect.
New Mexico
South Carolina
Texas
California
My main focus is the art of conversation, both literal and figurative. I love to capture the energy and mood of people interacting with each other and their surroundings. I use a bold and colorful palette to create expressive and impressionistic paintings that invite the viewer to join the conversation.
I work both in the studio and plein air, often painting scenes of urban life, cafes, architecture and landscapes. I enjoy the challenge of painting from life, observing the changing light, colors, and shapes.
Painting with both brush and palette knife, I prefer the latter for its versatility and spontaneity. I use the palette knife to apply thick layers of paint, creating rich impasto effects that enhance the sense of movement and depth. I also use the palette knife to scrape, blend, and draw with the paint, creating interesting marks and edges.
My goal as an artist is to share my passion and joy for painting with others. I hope that my paintings convey a sense of life, emotion, and connection. I believe that art is a powerful form of communication that can transcend language and time.
Bio:
Michele Byrne received a B.F.A. from Kutztown University and studied at the Pennsylvania Academy of Fine Arts. After working 20 years in graphic design she turned to full time painting in 2001 and began plein air painting in 2006.
Michele is an impressionistic artist known for her bold, colorful palette knife work. She often explores the theme The Art of Conversation, painting cafés, street scenes, musicians, or any social situation where people gather to converse. She has won numerous awards in her plein air and studio work and was featured on the January 2020 cover of PleinAir Magazine with an eight-page article titled “Adventures with a Palette Knife.”
Byrne moved to Santa Fe, NM in 2020 and now incorporates her palette knife techniques into the Southwest colors of street scenes and landscapes.
Liliedahl Productions has released three instructional videos of Michele’s palette knife techniques. The most recent one is titled PALETTE KNIFE CITYSCAPES.
Michele is proud to be an Artist Ambassador for Royal Talens North America and is a popular instructor who teaches workshops in-person and online.